Just wanted to take a moment to post our policy on harassment on tumblr, it is also on our website, and will be in the program guide. The image attached is the sign we will have displayed throughout the convention.
Emerald City Comicon’s mission is to create a safe, awesome environment where geeks of all kinds can come together. We have a zero tolerance policy for harassment of any kind.
Harassment includes offensive verbal comments (related to race, gender, sexual orientation, body size, disability, appearance, and religion), overly sexual images in public spaces, deliberate intimidation, stalking, harassing photography or recording, sustained disruption of talks or other events, inappropriate physical contact and unwelcome sexual attention.
Exhibitors, sponsors and guests are subject to our anti-harassment policy as well and have also been informed. In particular, exhibitors should not use images or material that surpasses a PG-13 rating at their booths. Booth staff (including volunteers) should not use over-sexualized clothing/uniforms/costumes.
If a person engages in harassing behavior, ECCC Directors and Department Heads may take any action they deem appropriate, up to and including expulsion from Emerald City Comicon (with no refund). If you are being harassed, witness someone else being harassed or have any other concerns, please contact a member of the Emerald City Comicon staff immediately (identifiable by green Minion t-shirts or black polos/Staff badges). We are happy to contact our security or local law enforcement, provide escort, a safe place, or otherwise assist those experiencing harassment to feel safe for the duration of the convention.
All attendees, exhibitors and staff are subject to this anti-harassment policy and are expected to follow these rules at all Emerald City Comicon events.
GAME REVIEW: ‘The Walking Dead’ Season 2, Episode 2, ‘A House Divided,’ Corrects Course
By Matt D. Wilson
have to admit that, after the first episode of this season of Telltale Games’ The Walking Dead video game, I was worried. It seemed like the game was becoming too dour, even by zombie fiction standards, and had abandoned the first season’s tendency to throw some good-hearted humanity in with the misery.
I’m happy to report that the second episode of the season, titled “A House Divided,” brings a big chunk of that humanity back, and even manages some levity. Of course, that doesn’t mean that there’s no tension. Indeed, this may be the most tense episode of the game yet, and most of it happens in scenes that are nothing but dialogue.
Link Ink: The Winter Soldier’s Butt, The CW’s Suicide Squad And Songs Inspired By Batman
Assessor Evil, Part 6: For a Change of Pace, Someone Loses a Leg
INTERVIEW: Kurtis Wiebe Talks ‘Rat Queens’ And Why Adventurers Are The Worst
By Chris Sims
Over the past five issues Kurtis Wiebe and Roc Upchurch’s Rat Queens has quickly become one of my favorite comics on the stands. The story of four Dungeons & Dragons-style adventurers who claim to protect the town while actually being the biggest possible threat to the peace is hilarious, brutal and action-packed, and more often than not, it’s all three at the same time.
The first story arc, Sass & Sorcery, wrapped up in the fifth issue last week, so to look back on one of the best debuts of the past year, I spoke to Wiebe about the influence of gaming on his storytelling, the character he relates to, and the almost unprintable original title.
New Owners Relaunching ‘Heavy Metal’ With Movies, Music And More In Mind
By Caleb Goellner
After 22 years, Teenage Mutant Ninja Turtles co-creator Kevin Eastman has officially sold Heavy Metal. Founded in France as Métal Hurlant in 1975 before being licensed in America by then-National Lampoon publisher Leonard Mogel and later sold to Eastman in the early 1990s, Heavy Metal Magazine is famous for serving as something of a bridge to Euro Comics from the likes of H. R. Giger, Jean Giraud a.k.a. Moebius, Milo Manara and others, as well as a platform for North American artists and others who specialize in… well.. heavily rendered illustrations of warrior women in fantasy situations (among many other things).
James Stokoe Brings Armored Ultra Violence To ‘What If? Age of Ultron’ #2 Variant Cover
Viz Media Acquires U.S. Rights To Naoki Urasawa’s ‘Master Keaton’ So Get Ready For That To Win Some Awards Next Year